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Actually, I never wanted to become an artist like many of my friends did, but when I discovered that through design you could make so called . The direction . I see a great opportunity for designers to work together with scientists and use each other’s knowledge for co- creation. Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and Philly.com. Dutch designer Cox Janssens graduated last year from Design Academy Eindhoven. She has created things as long as she can remember: drawings, prints, comics, stories. Curator Bonis- Managing the financial affairs of someone who is unable to do so mjgwgzcgv http:// amjgwgzcgv. The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs. Furthermore, the exhibition is free from texts like labels or descriptions, because Kawakubo doesn’t like her work to be interpreted or explained. Express Helpline- Get answer of your question fast from real experts. Can you describe your creative process? How do you start your project, what is your goal and how do you know it’s finished? To start with, I take a period to do research into scientific developments; I go to lectures, watch documentaries and I read about it. When I find something that takes my interest, I try to find if there is a scientific discipline related to the subject and to find someone working in that field. Often professors are quite willing to call or meet me in person, and at this point I already have some sketches of what I imagine could be a done with the technique I have in mind. If the professor finds it interesting he/she puts me in contact with his or her (master) students, who are often happy doing something new and experimental. After I understand the science, technique and the essence of the technology to try to simplify it. Then I try to make the technology part of the design and when it’s working, I know it’s finished. If I look at the projects you did, like . What makes you being fascinated with light? I am mostly fascinated with alternative and natural forms of energy. Light is only one of the many . We are currently living in a time where energy is a concept that is and needs to rapidly change. I don’t think that the light of 'Ambio’ or 'Spark of Life’ will replace any regular lighting yet, but it surely is a great natural addition to the existing artificial lighting. Do you think your work could be used for mass- production in the near future? I think it is possible to produce some of my works in large numbers. At the moment I am investigating the options of making a consumer friendly version of . For the past few years I have been keeping bacteria samples alive for several weeks in a row during exhibitions. For Ambio that was quite time consuming, it needed daily care. My latest lamp . 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Instead of diminishing clothes, she turns their change into something positive. Textiles become more interesting through processes such as washing, surface friction and color change by sunlight. With this, the consumer is tempted to use them longer. What was your main inspiration for this project? The idea was born three years ago. I can feel very guilty and responsible towards things. The overall idea in society is that something looks best if it looks like new (with some exceptions of course). So mostly, traces make things less attractive. However, I realised that I could feel emotionally good if I saw traces of use on products, because it shows these weren’t made for nothing. That’s why I thought about creating good looking . As it’s the most important topic in design, it can feel heavy weighted and a lot of responsibility because we need to buy less and use things longer. This project can be an inspiration for both consumers and companies, to see that there are various nice notions of durability. It would be great to make this accessible for many people. Do you think the textiles of this project could be used for mass- production in the near future? I would like to develop this project further, make it easier to produce and super sustainable. To achieve that I need investors and partners from the industry, so unfortunately this will not be in the near future but I am working on it. Besides that, . Nevertheless, I hope some will see change as a quality; to make people dare to use it with pleasure. How would you describe yourself as an artist? As an artist I treasure diversity and my broad interest and need to be socially involved are bringing me that. Furthermore, I like to observe human behaviour, question norms and see paradoxes. In my work I use humour and make unexpected connections, to show different sides or positivity in something that is known for the opposite. I create better things through discussions with other people and highly believe in unusual collaborations between the creative industry and other industries. Whose work do you admire and why? David Bowie is a creative I admire because during a lot of experimentation he was still able to deliver qualitative, characteristic music. He was curious after other professions and unusual collaborations and used this for music videos and album covers. The inspiring thing to me is that you can be diverse yet . For this project I worked together with psychologists to create a set of cards that can be used as a conversation tool to talk about norms and desires around having children. I visualised about hundred motivations for having or not having children. The cards help to distinguish your own desires from those projected by outsiders. What are your plans for the future? I am now part of a starting up collective of designers and workspace for other creative people in Rotterdam: The Commune. It’s so interesting and exiting to see how collaborations evolve. I’m also curious to work with people from very different cultures. For me it’s important to keep on learning and that can happen everywhere. Nine van der Wal www. Joanne Tan. Joanne Tan is graduated last year from Central Saint Martins with her project . She questions and discusses the concept of beauty and today’s media beauty standards through jewellery. She’s interested in the interaction between humans and objects and human’s complexity. How would you describe yourself as an artist? Art and design are my way of going all out in self- expression. Thus, as an artist, I see myself as the one who creates conversation with or through jewellery; who gives new life towards jewellery and redefines what people would perceive as jewellery. Why is your project about celebrating natural features through enhancement instead of plastic surgery? Not Your Average Beauty collection is a project that I want to create conversation and discussion on the topic of beauty and plastic surgery. Through my design, I would like society to be exposed to an alternative form of beauty enhancement and rethink about what plastic surgery and what beauty is about. What does beauty mean to you? Beauty is a very dependent entity and heavily influenced by our surroundings. Human aren’t born with an innate knowledge of beauty. But, we acquire the knowledge of beauty through our cultures, societies and mass media. How much impact does your work have on society? I believe my work will kick start a paradigm shift on what society would perceive as jewellery and elegance. The reaction for Not Your Average Beauty collection is very subjective. People would either like it or not based on their personal perspectives. Can you tell me a little about the design process, how do you start your design and what’s your goal? My work is concept driven with topical approaches. Thus, I would first set a theme for the collection, followed by doing a wide range of research related to the theme in the idealization process. Ultimately, I want to create visual impacts, conversation and interaction through or with jewellery using minimal and subtle design. In an interview, you said you’re interested in human identity. In what way is this related to jewellery? Throughout history, jewellery has been worn not only to beautify our body, but also to communicate social status, identity and even to protect one from evil spirits and misfortune. When a piece of jewellery is worn, it visually communicates who we are, who we would like to be, what kind of social group we belong to and so on. It reveals information such as character, taste, cultural background, sexual preference, economic status and educational achievement. Above all these shape our identity. What’s your dream? People use technology and social media platforms as mediums of communication. My dream is for jewellery to be a means of communication, i. T’, what does the future hold for you professionally? I believe life is limitless, as in my journey as an artist and designer. I hope through various forms of collaboration, we could work together to learn and explore the unlimited. I personally am very excited to see what’s awaiting ahead. JOANNE. T Nine van der Wal. Joanne Tan. Joanne Tandesign wendy andreu - photo ronald smits. Wendy Andreu is a recent Design Academy graduate; she describes herself as a craft designer that communicates through the materials she is using. In her work she bridges matter, people and space and through her project . Learner Driver Insurance - Money. Super. Market. Do you need learner driver insurance? 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